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	<title>Brighton Sound &#187; New Wave</title>
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	<link>http://www.brightonsound.com/blog</link>
	<description>The latest music happenings from the Brighton scene</description>
	<pubDate>Tue, 02 Dec 2008 00:11:28 +0000</pubDate>
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		<title>DUKE RAOUL/HOUR HANDS: PRINCE ALBERT: 17/10/08</title>
		<link>http://www.brightonsound.com/blog/2008/11/27/duke-raoulhour-hands-prince-albert-171008/</link>
		<comments>http://www.brightonsound.com/blog/2008/11/27/duke-raoulhour-hands-prince-albert-171008/#comments</comments>
		<pubDate>Thu, 27 Nov 2008 00:43:09 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
		
		<category><![CDATA[New Wave]]></category>

		<category><![CDATA[Psychedelic]]></category>

		<category><![CDATA[Punk]]></category>

		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://www.brightonsound.com/blog/?p=28</guid>
		<description><![CDATA[It’s the newly rejuvenated Cable Club within the consistently brilliant Prince Albert, and although I intended to review 4 or 5 magicians, I got preoccupied by a seductive, liquidy mistress (called beer), and missed the majority of their set. 
Some would call this alcoholism, but this is a serious problem beyond the scope of this [...]]]></description>
			<content:encoded><![CDATA[<p>It’s the newly rejuvenated Cable Club within the consistently brilliant Prince Albert, and although I intended to review 4 or 5 magicians, I got preoccupied by a seductive, liquidy mistress (called beer), and missed the majority of their set. <span id="more-28"></span></p>
<p>Some would call this alcoholism, but this is a serious problem beyond the scope of this review</p>
<p>So&#8230; back to my pint of whisky: first up, is a band that I’ve never heard before: Hour Hands, and I’m very pleasantly surprised.</p>
<p>PUBLIC SERVICE BROADCAST (FROM THE GOVERNMENT)</p>
<p>‘Postmodern personality disorder’, is a common affliction which affects an increasing number of bands. It is diagnosed when at least three of the following five features are present:</p>
<ul>
<li> Discordant, cacophonous or just plain wonky guitar work</li>
<li> No consistent adoption of style or freeform genre hopping</li>
<li> Band members looking a bit ‘idiosyncratic’; clothing or haircuts in an odd or elaborate style</li>
<li> Lyrical weirdness (or straight lyrics with weird delivery)</li>
<li> Mumbles, or an unassuming (sometimes non-existent or socially phobic) level of audience   interaction between songs</li>
</ul>
<p>An inflatory saline injection to the ears, usually fixes most cases.</p>
<p>Be vigilant&#8230;</p>
<p>END OF TRANSMISSION</p>
<p>To help the powers that be get back to sorting out the credit crunch; I’ll add to the public message by stating that; although this disorder is common, if a band is good enough - the personality disorder is transcended; becoming&#8230;.‘Good band&#8230; er&#8230;syndrome’&#8230; .</p>
<p>..and Hour Hands are a very good band</p>
<p>&#8230;. Why?</p>
<p>Because they possess genuine charisma (particularly in the sultry, slightly menacing lead guitarist), lots of invention, soul, and the songs are very, very, good</p>
<p>Pavement; Kate Bush; Syd Barret; Bluesy harmonica&#8230;.</p>
<p>&#8230;.Ingredients that don’t work together on paper, but – (allegedly) like Heston Blumenthal’s bacon and egg ice cream – the whole is delectable -  and although I’ll never understand the fascination with singing in pretend accents - songs like Mood-swings and Hello from my Shell, are too darn dreamy and beautiful to criticise anyway&#8230;</p>
<p>Next up: Duke Raoul:</p>
<p><img class="alignfull alignleft" style="margin: 10px; vertical-align: baseline; float: left;" src="http://farm4.static.flickr.com/3051/3063450874_7cfd108290_o.jpg" alt="" width="470" height="175" /></p>
<p>I should start the review unimaginatively by stating that Duke Raoul are also very, very, good. One of the best bands I’ve seen in donkeys; No, not in an actual donkey (that would be both cruel and brilliant) – but in a long time.</p>
<p>This is razor tight stuff, played with a clinical attention to detail, but also heart wrenching passion.</p>
<p>I really can’t compare them directly to anyone in particular, because the sound is fairly unique (and the pint of whisky that I started at the beginning of the review is half empty); however, the closest approximation I can reach, would be the recent, eponymous album by ‘The Week that Was’ - with added fire, melancholy, and recorded lucid dreams* - broadcast from a fuzzy, broken, black and white TV set, at close range&#8230;.</p>
<p>The whole band perform, (and story-tell) convincingly and self assuredly - without trying too hard, and the chords are magically, triumphantly sad.</p>
<p>Songs like  ‘The Local News’ demonstrate that this band really could be playing on a bigger stage, possessing a duality that is perfectly designed for the stadium, and the small. The appeal is wide.</p>
<p>Great Stuff</p>
<p>www.myspace.com/hourhands</p>
<p>www.myspace.com/dukeraoul</p>
<p>*A dream recorder would be a great invention</p>
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		<item>
		<title>Kontakte : The Hope : 01.05.08</title>
		<link>http://www.brightonsound.com/blog/2008/05/02/kontakte-%e2%80%93-the-hope-%e2%80%93-01052008/</link>
		<comments>http://www.brightonsound.com/blog/2008/05/02/kontakte-%e2%80%93-the-hope-%e2%80%93-01052008/#comments</comments>
		<pubDate>Fri, 02 May 2008 16:26:37 +0000</pubDate>
		<dc:creator>Mike</dc:creator>
		
		<category><![CDATA[Ambient]]></category>

		<category><![CDATA[Metal]]></category>

		<category><![CDATA[New Wave]]></category>

		<category><![CDATA[Psychedelic]]></category>

		<guid isPermaLink="false">http://www.brightonsound.com/blog/?p=4</guid>
		<description><![CDATA[This being Not-For-Resale, one of my favourite unsigned nights in Brighton, which I often go along to knowingly unprepared;  I had absolutely no concept of Kontaktes music before seeing them.

This can be a good thing; sometimes a hastily recorded demo can skew the perception of a melody-seeking man such as me…
So, what was my [...]]]></description>
			<content:encoded><![CDATA[<p>This being <a href="http://www.myspace.com/notforresaledjs" onclick="javascript:pageTracker._trackPageview('/outbound/article/http://www.myspace.com/notforresaledjs');">Not-For-Resale</a>, one of my favourite unsigned nights in Brighton, which I often go along to knowingly unprepared;  I had absolutely no concept of Kontaktes music before seeing them.</p>
<p><span id="more-4"></span></p>
<p>This can be a good thing; sometimes a hastily recorded demo can skew the perception of a melody-seeking man such as me…</p>
<p>So, what was my naïve but intrepid mind greeted with?</p>
<p>Answer: A monolithic, noise-berg, occasionally melting to create bubbling little streams of gentle introspection. The metaphor is appalling, but the playing was much better; somewhere between Sigur-Ros and Johnny Greenwood’s less sane moments; transmitted by pylons.</p>
<p>There are no words, and no need for them, the sentiment is communicated through a form of subjective, musical vernacular. Lyrics would be unnecessary, ham-fisted and rude.</p>
<p>Being critical, perhaps a tad more variation would be welcome, much of the playing involved the thrashing of heavily effected/delayed guitars, and there was a ‘pinch’ too much self-importance at times, for my personal tastes.</p>
<p>However, I’ve since reversed the normal interaction of listen&gt;gig and discovered that the recorded Kontakte are quite a different proposition, where the subtleties are more marked, and the louder moments more subtle. All in all. Pretty damn good.</p>
<p><img src="http://www.brightonsound.com/blog/wp-content/uploads/2008/06/kontakte.jpg" alt="" /></p>
<p><a href="http://www.myspace.com/kontakteuk" onclick="javascript:pageTracker._trackPageview('/outbound/article/http://www.myspace.com/kontakteuk');">www.myspace.com/kontakteuk</a></p>
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